Street No. 4

Stangenfieber

Chain Mail

A usual chain mail is forwarded to a group of people. Some pass it while others ignore. One dies and is followed by series of sudden and unexplainable deaths of others. Soon after, a revelation begins to unfold, the chain mail is cursed and so she has to find the origin and mystery behind to stop the misfortunes it may cause to anyone who fails to pass it before another life perish again. Sandra also suspects Anne is behind the tragic incidents that happened to their friends. Will she break the curse before it's too late or will she become one of the victims?

The Sea Is Blue

A stop motion fable explains how the ocean got its color.

Cellular Boyfriend

High school student Ayumi kills herself and leaves behind a cryptic message that says "will be killed by boyfriend." Ayumi's classmates Satomi and Yuka investigate her suicide and quickly links her death to a popular cellphone dating simulation game called Keitai Kareshi. The main features of the game include a 'love gauge' that determines how well the player is faring and the ability to chat with other players. Satomi, Yuka download the game to their phones and begin interacting with their new virtual boyfriends. Soon after, Satomi shares the game with her co-worker who -- not long after the love gauge on her cellphone hit zero - dies from electrocution. Meanwhile, Yuka sends the game to her manager who turns up dead the following day following a mysterious accident. The mystery deepens as Satomi discovers the image of Naoto, a senior student whom Satomi secretly admired, on her friend Hisami's cellphone.

Sacrifice

Seven years after predicting the 2011 Great East Japan Earthquake while she was unwittingly involved in a doomsday cult called Sacred Tide, college student Midori (Miki Handa) continues to have visions through unusual powers of premonition. Meanwhile at the same school, the duplicitous Toko (Miki Handa), who desperately seeks to escape her mundane life, suspects her classmate Okita (Yuzu Aoki) of being the culprit behind a string of disturbing cat killings and the murder of a classmate.

Gary Gulman: Born on 3rd Base

Comedian, actor, and best-selling author Gary Gulman offers up his hilarious insights on a range of topics – from growing up poor to pretentious suffixes – all with a generous helping of his inventive humor and absurdism. Reflecting on his eccentric Jewish American family, Gulman chronicles his childhood experiences with free school lunch programs and questionable dental care, as well as incisive swipes at billionaire-ism.

Taloompuk

Set in 1962, idealistic healthcare officer Kulasatri has been assigned to work in the cape village of Taloompuk where she meets Jaa Chang, an idealistic navy sergeant who has suffered from his high-minded idealism. Together, the pair witness the natural beauty of their surroundings and the purity of the southern villagers' lifestyle. But a cross-religion love triangle starts to rage while a devastating storm approaches, threatening all life on Taloompuk cape. The movie recreates the scene of the natural disaster that killed more than ten thousand Muslim and Buddhist Thais.

2x2 Are Sometimes 5

One of the most popular musical comedies of the 1950s starts with flirting between a bohemian sport pilot and a serious mathematics teacher. The lesson is that in life, not everything happens as would appear logical at the outset. In the wake of the inflexible and demagogic dramas of Stalinism, this colourful comedy was a true breath of fresh air. It is innovative not only for being full of great hits but also for being the first film in a very long time that was about pure love.

Heart, Beating in the Dark

This new version of Nagasaki's Yami utsu shinzô (1982) is neither a remake nor a sequel. It is both those things, and at the same time it is also a documentary, a portrait of the consequences of passing time, and an occasionally very funny reflection on what the hell the point is of all this filmmaking business anyway. Shigeru Muroi and Takashi Naito, back then young hopefuls willing to take chances, now among the most established and recognisable actors in Japan, return to play the roles they assumed in the 1982 film, each of their characters having gone their own way. Alongside, another young couple (Honda and the ever-brilliant Eguchi) find themselves in the exact same situation as their older counterparts 25 years earlier. Their paths cross, an opportunity arises: for the elder two to redeem part of their own lives, for the younger couple to find a helping hand in their darkest hour.