Right... On!

Film

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

1

Opus

A young writer is invited to the remote compound of a legendary pop star who mysteriously disappeared thirty years ago. Surrounded by the star's cult of sycophants and intoxicated journalists, she finds herself in the middle of his twisted plan.

Red

Based on the true story of Louis "Red" Deutsch. A New Jersey bar-owner is plagued with prank phone calls that prompt him to flip into psychotic, profanity-laden rages.

Dear David

Shortly after comic artist Adam responds to Internet trolls, he begins experiencing sleep paralysis. As he chronicles increasingly malevolent occurrences in a series of tweets, Adam begins to believe he is being haunted by the ghost of a dead child named David.

The Feather Fairy - Two Worlds

Lukáš, Alžbetka's son, takes off into the world looking for happiness and love. His godmother, the celestial Lady Winter, keeps an eye on him. He arrives late in the fairy-tale land that she leads him to. Fear reigns where once cakes grew on trees. The miraculous ram has disappeared and the royal town is cursed. Lukáš has to decide what is closer to his heart: a fortune or love?

Endliche Erinnerungen

A cunning scientist exploits people with rare diseases to advance the field of research by decades. She plays different roles, each time with different costumes and emotions, in order to obtain valuable research data. Her head professor gets wind of her doings and has to deal with this situation: should efficient research be allowed, even if it is immoral?

Under the Big Top

Director Karl Brown's 1938 circus drama stars Marjorie Main as a tough, fur-coat-wearing circus boss who raises her orphaned niece to be a trapeze star.

Mad

A matriarch past the point of a nervous breakdown, her two daughters that don't give a damn, and the heat-seeking missiles of resentment they toss at each other.

Suck It Up Buttercup

A former honor student spirals down the deep, dark hole of an addiction to prescription pills.

Mutiny

Mutiny employs a panoply of expression, gesture, and repeated movement. Its central images are of women: at home, on the street, at the workplace, at school, talking, singing, jumping on trampolines, playing the violin. The syntax of the film reflects the possibilities and limitations of speech, while “politically, physically, and realistically” flirting with the language of opposition.

Fun

Hillary and Bonnie meet one morning by the side of the road. They become fast friends, share their secrets, and, on a rising wave of frenzy, later that afternoon, murder an old woman. They did it, they say later, for fun.

Film

Before the three feature films, Mario Schifano directs the camera towards the people around him to create real film diaries. His friends, his time partner and the artists he frequented are portrayed in their everyday life or object of the mechanical gaze of the camera, a filter through which to look at the outside world.