Nukes in Space

Scooby-Doo: Agence toutou risques, vol. 1 : Le voleur de vélo

History of Jazz: Oxygen for the Ears

'Oxygen for the Ears: Living Jazz' is a story of the trials and triumphs of jazz in America. Every jazz tune has a starting point - a simple note - from which the music starts its journey and rises. 'Oxygen for the Ears' portrays Washington D.C. as such a departure point for its documentary story, 'Living Jazz'.

Whistling Princess

Ji-eun, a member of North Korea's dance troupe and the daughter of the North Korean leader, escapes to the South after one of their perfomances. Eager to explore the liberal life in Seoul, Ji-eun searches for a new life of freedom in South Korea. She soon comes across Joon-ho, a leader of a local rock band. Their relationship then takes unexpected turns as they become closer to each other. Meanwhile, the intelligence agency in South Korea learns of a conspiracy being orchestrated by the American CIA to disrupt the peace on the Korean peninsula; the CIA plots to secretly kidnap Ji-eun. Secret forces from the North and South reluctantly agree to work together to prevent a possible war between their two countries.

Six Hours: Surviving Typhoon Yolanda

In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.

Film

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri