My Uncle is Audrey Hepburn

Second Fiddle to a Steel Guitar

In this musical gem, big-hearted Jubal Bristol (Arnold Stang) takes it upon himself to mount a country and western benefit concert after the opera company that his wife (Pamela Hayes) booked suddenly backs out. Along with country icons Minnie Pearl, Dottie West, Connie Smith and Faron Young, the film features great tunes such as "Born to Lose," "Abilene" and "Young Love." Huntz Hall and Leo Gorcey (of Bowery Boys fame) portray stagehands.

A Winter Tale

Shots ring out one winter night, and a bullet meant for a local dealer kills a child. In the aftermath of shock, Gene, a 40 something social worker starts a Black men's support group, at the local Caribbean Takeaway Restaurant.

RCL - Ridotte Capacità Lavorative

Children of Jerusalem: Neveen

This short documentary presents a portrait of Neveen, a 12-year-old Palestinian girl who lives in the Shufat refugee camp on the outskirts of Jerusalem. Neveen gives us a tour of her typical day: helping her mother with chores, attending school, learning English with her aunt. Throughout, Neveen discusses her family history and her faith; her classmates engage in a lively discussion about the history of Israeli-Palestinian relations and what they think the future holds for all people in the region.

Ouroboros

A boy finds himself trapped in a dream, stalked by something he wishes he didn't recognize

Kiss [1988] Monsters of Rock

Kiss at Mainwiesen, Schweinfurt, Germany Deuce Love Gun Fits Like a Glove Heaven's on Fire Cold Gin Black Diamond No No No Crazy Crazy Nights Tears Are Falling I Love It Loud Shout It Out Loud Rock and Roll All Nite Detroit Rock City

Con los mismos colores

Vallikudilile Vellakkaran

Vallikudilile Vellakkaran is a Malayalam movie starring Balu Varghese and Renji Panicker in prominent roles. It is a comedy drama directed by Mr.Duglus Alfred.

A Memory in Three Acts

Mozambique gained independence from Portugal in 1975, following a bloody struggle that lasted more than a decade. In three acts (plus a poetic prologue and epilogue), some of those who lived through it tell their story about the struggle for independence. A former political prisoner returns to the building named Villa Algarve, where he was tortured—though dilapidated now, it is still maintained as a monument to what took place. We also get to hear the other side of the story, as told by the daughter of an agent of the secret police who was murdered before her eyes following the fall of the Portuguese dictatorship. This striking mix of archive footage, shots of present day and the pervasive soundtrack give us the feeling that past and present are inextricably linked. The oral testimonies bear witness to a multifaceted colonial trauma, and the wounds are still fresh.