Muxˣ

toni_with_an_i

Toni, aged 13, doesn't fit in at school. One day, everything takes a turn for the worse, but the internet comes to save her.

Let Me Go Home

In hustle and bustle of urban life, we sometimes don't know our neighbors next door. And in the village, everyone knows each other and lives with the joys, troubles, and worries of a neighbor, like one big family. That's why a person is pulled to their small homeland, to their roots. The one who forgets their roots experiences a burdensome emptiness and dissatisfaction with their achievements in life.

Miocardio

Granstein

Between Dorothy Lange and Walker Evans, a realistic and sensitive snapshot of the 1965 rural world in the South of West Germany.

LeapFrog: Learn to Read at the Storybook Factory

Embark on a magical reading adventure with Tad and Lily! Deep inside the Storybook Factory--where pictures, words and imagination bring stories to life--Tad, Lily, Casey and Dot decide to put a few new twists on a classic tale. The result is a fun-filled adventure that turns reading into a delightful game! Special features include sing-along songs to help your little ones learn, complete with a string of read-along words that run across the screen.

Panda

Two teenagers are playing by night in a dirty parking lot. After they are driving on an empty road, they start to tease each other on the way to the sea, but they seem to be too young to drive and the road is a bit strange.

Behold the Lamb of God

Recorded at Nashville’s legendary Ryman Auditorium in December 2004. Features stellar performances by Andrew Peterson, Pierce Pettis, Phil Keaggy, Jill Phillips, Derek Webb, Sandra McCracken, Randall Goodgame, Andrew Osenga, Ben Shive, Andy Gullahorn, Phil Madeira, Gabe Scott, and others. Special bonus features include: Commentary by Andrew Peterson, Andrew Osenga, and Ben Shive Exclusive interviews Behold the Lamb of God documentary 5.1 Surround An up close look at the artwork by Evie Coates And more!

It May Be That Beauty Has Strengthened Our Resolve - Masao Adachi

The first in a planned series of films about radical filmmakers by film critic Nicole Brenez and filmmaker Philippe Grandrieux, It May Be That Beauty Has Strengthened Our Resolve is a portrait of Masao Adachi, who emerged during the Japanese New Wave of the 1960s as a screenwriter for Nagisa Oshima and Koji Wakamatsu, and directed a series of avant-garde films that grafted radical politics to the sexploitation genre. A 1971 visit to a Popular Front for the Liberation of Palestine (PFLP) training camp while on the way back from Cannes resulted in Adachi's most infamous film, the agit-prop documentary Red Army/PFLP: Declaration of World War, which he co-directed with Wakamatsu. Soon after, Adachi joined a splinter cell of the Japanese Red Army in Lebanon, where he stayed from 1974 until he was deported to Japan in 1997 to serve time for passport violations.

Fighting Chance

A gang member recues his nephew from his alcoholic sister and boyfriend, taking him into his house while his sisters recovers. But as time basses by, he has a hard time letting go. While raising money for his nephew to participate at a local spelling bee, he learns to become a better person, changing his own living habits, for a better future. All in all, while his nephew's father places a bounty on his head.