John Wayne: Bigger Than Life

No Chains, No Masters

1759, Mauritius Island, Indian Ocean. The island is controlled by French settlers and the deported slave population live in fear while toiling in the sugar cane plantations. Unlike her disillusioned father Massamba, 16-year-old Mati refuses to keep her head down and accept her fate.

Moments: Six

A serial killer and the detective who tracked him down find themselves in an unexpected stalemate.

Pappu Can't Dance Saala

One time bickering neighbors are forced to share the same apartment. The cultural clash between traditional-orthodox-India and modern-urban-India. The collision of two cultures creates havoc in the beginning but finds a peaceful co-existence, at the end. An orthodox boy from the holy city of Banaras, is forced to stay with a chorus dancer in Bombay... The film does the journey of these two opposite personalities and how, after the initial phase of rejection, they find each others place in their respective lives.

The Reluctant Saint

Cupertino, Italy, 1623: A simple-minded and clumsy young man joins a Franciscan order as a hired hand, overcoming his intellectual and social challenges with a pure heart and a simple faith. God performs a miracle through him, quite literally raising him to sainthood.

The Brave One

A young Mexican boy tirelessly tries to save his pet bull from death at the hands of a celebrated matador.

Rapid Eye Movement (REM)

Varka, a babysitter has to take care of a child while needing to look after his father.

Tracce di Rocco

A Nice Quiet Life

Two college students fall in love one year before graduation and have bright futures ahead until one of them develops schizophrenia.

Star

Menú equivocado

Marta is a fatty and shy girl who uses technology to relate to her friends. But this night will be different. It has a very special date with Carlos, the ideal man.

The Mills of the Gods: Viet Nam

A documentary on the war in South Vietnam shot entirely on location. There is no narration and no use of archive footage. The participants speak for themselves. The filmmakers spend time with units from many services: army, tanks, marines, ARVN, air cavalry. They accompany an air force napalm and strafing attack on a Viet Cong bunker complex. There are many scenes both of Saigon streets and of peasant village life. Soldiers speak of their experiences and their mission to fight Communism in Vietnam. One American informant says that the Vietnamese peasant is not interested in ideology, but in social justice, a piece of land, fair taxation, and to be left alone. Some interviews are used as voice-over. Participants, American and Vietnamese, are very natural, with little or no posturing for the camera. There are scenes of dead Viet Cong, and one showing a VC suspect being drowned to aid interrogation.