Dying Candle

Karel Zeman for Children

Seventy-year-old filmmaker Karel Zeman recapitulated his thirty years of work in the field of animated and trick films. The film Karel Zeman for Children includes excerpts from Baron Prášil, The Tale of Hansel and Gretel, Mr. Prokouk, King Lávra and Journey to the Prehistoric Times. The film is presented on the 100th anniversary of the birth of this important figure of Czech cinema.

Jeevan Sangharsha

A poet gets dejected with the materialistic society around him. The only person he gets some sympathy from is a washed out working girl who gives him shelter. Rejected by publishers, he gains fame when his death is reported by a newspaper.

Extraordinary Illusions

Pioneer filmmaker Georges Méliès performs his cine-magic act.

Janma Janma

Janma Janma is a Nepali film that delves into love, dreams, and the cycle of life. The story follows Amar and Praya, a couple deeply in love. Praya is haunted by recurring dreams of someone trying to kill her, which leave her anxious and fearful. Amar, along with her parents, reassures her that the dreams aren’t real and encourages her to move forward. Praya eventually finds a new beginning, embracing a fresh life. However, she discovers that her old friends didn’t get the same chance at renewal. She shares this realization with Amar, urging him to cherish love and life. The story concludes with Amar reflecting on her words, highlighting the fleeting yet profound beauty of existence. Janma Janma is directed by Sital Nepal and written by Yubraj Lama. It weaves an emotional narrative of second chances, dreams, and the power of love to overcome life’s uncertainties.

Se receta silencio

As they grew older, Cristina and Lola were silenced. They obeyed and kept silent for a long time, until today. The protagonists of this docufiction short film raise their voices to bring us closer to the intersex life stories and share our reflections on bodies, identities and desire. A liberating opportunity not only for them, but for everyone.

Timro Chanchale Chulbule Yoban

The music video Timro Chanchale Chulbule Yoban weaves a story of longing, fleeting connections, and unfulfilled desires. Aanchal and Udip, a married couple from Nepal, are struggling with an unhappy relationship. Seeking a break, Aanchal travels to the UK for a holiday. Meanwhile, Paul, a handsome and strong man living in London, dreams of finding the perfect woman to marry. Their paths cross at Tower Bridge, where Paul is instantly captivated by Aanchal's beauty. Mesmerized, he begins to follow her through the city-Tower Bridge to Waterloo Station, and finally to London Bridge-imagining a future together filled with love and happiness. But when Paul turns to approach her, Aanchal suddenly disappears. Reality strikes, and Paul learns she is already married, her sadness hidden behind her beauty. This realization brings Paul back to reality, leaving him to reflect on the bittersweet nature of love and missed chances.

Der Schweinehirt

The Kingdom of Lichterwald is facing financial ruin and only by marrying a wealthy bride can Prince Augustin hope to prevent worse. He decides to marry no less than the Emperor's daughter, Victoria.

La Clave 7: Part 2

Aftee the death of Pedro Avilez, his associates and friends decide to take revenge on those that killed him. Meanwhile the bosses that made Avilez's cartel decide to make a new organization.

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The Cocoon

Trapped inside a room covered with muddy footprints, a man will stop at nothing to mop the floor perfectly clean. But with every step he takes to wipe away a footprint, he leaves a new one behind him.

Harrie Jekkers: Met een Goudvis naar Zee

The second solo program by the Dutch cabaret artist Harrie Jekkers. Jekkers tells and sings about growing up and about his uncle Jan.

Film

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri