Daaaaaalí!

Our Men

They come from all over the world but they have one thing in common : The Foreign Legion, their new family. Our Men tells these stories : stories of women who struggle to keep their love fire burning; stories of men who leave for battle; stories of loving couples on hostile ground.

Alice Guy, the First Female Filmmaker

Who, apart from moviegoers, knows Alice Guy (1873-1968) today? However, she was the first woman behind the camera and the first female director and producer of fiction films in history.

The Burdened

When Isra’a discovers she is expecting another baby amid the civil war in Yemen, she and her husband decide she should have an abortion. But this creates enormous difficulties – in their relationship and elsewhere. A moving story from an all-too-often forgotten crisis region.

The Irish Pub

A eulogy to the greatest institution in Irish society, the pub, or more specifically the traditional Irish publicans who run them. Speaking to pub owners all over Ireland, Alex Fegan gets into the heart of what makes "the Irish pub" the institution that it is.

Sans Un Mot

Winter in Sokcho

In the snowy seaside town of Sokcho, 25-year-old Soo-Ha works at a guesthouse. She drifts between her mother’s fish stall and her boyfriend until a French artist’s arrival stirs questions about her identity. As winter deepens, Soo-Ha and the artist form an unspoken connection through food and art.

Yannick

In the middle of a performance of the play "Le Cocu", a bad boulevard comedy at a Parisian theatre, Yannick gets up and interrupts the show to take the evening back in hand.

Michel Vaillant

Michel Vaillant is # 1 of pilots, undisputed champion in rallying in all circuits in the world. His success arouses admiration and envy. Ruth Wong, director of Team Leader, is determined to break his streak and avenge the memory of his father, founder of Leader. She is capable of anything to achieve her goal.

The Big Night

An ageing punk-with-a-dog and his brother the conformist decide to get their revenge on a shopping mall. Directing duo Benoit Delepine and Gustave Kervern, longstanding comic crusaders against capitalism, again set out to surprise and shock the bourgeois audience.

Bloody Oranges

Simultaneously, a retired couple overwhelmed by debt tries to win a dance contest, as the minister of economy is suspected of tax evasion, and a teenage girl encounters a sexual maniac, while a young lawyer attempts to climb the social ladder. When the shoe drops, the winner won’t necessarily be the one we expected.

Je ne suis pas un héros

Louis is a super nice guy. But in his lawyer's office, this is not a compliment. When his doctor wrongly diagnoses a serious disease, his colleagues behaviour changes : they care about him, they ask him questions and they listen his answers. Finally, Louis exists ! So, obviously, he hesitates over telling the truth.

Sidonie in Japan

Sidonie Perceval, an established French writer, is mourning her deceased husband. Invited to Japan for the reedition of her first book, she is welcomed by her local editor who takes her to Kyoto, the city of shrines and temples. As they travel together through the Japanese spring blossoms, she slowly opens up to him. But the ghost of her husband follows Sidonie: she will have to finally let go of the past to let herself love again.

Fear and Trembling

Amélie, a young Belgian woman, having spent her childhood in Japan, decides to return to live there and tries to integrate in the Japanese society. She is determined to be a "real Japanese" before her year contract runs out, though it precisely this determination that is incompatable with Japanese humility. Though she is hired for a choice position as a translator at an import/export firm, her inability to understand Japanese cultural norms results in increasingly humiliating demotions. Though Amelie secretly adulates her, her immediate supervisor takes sadistic pleasure in belittling her all along. She finally manages to break Amelie's will by making her the bathroom attendant, and is delighted when Amelie tells her the she will not renew her contract. Amelie realizes that she is finally a real Japanese when she enters the company president's office "with fear and trembling," which could only be possible because her determination was broken by Miss Fubuki's systematic torture.

Boléro

Boundary-pushing Russian dancer and actress Ida Rubinstein selects renowned French composer Maurice Ravel to compose the music for her next ballet. Ravel ends up creating his greatest success ever: Boléro.