Crime's Blank

Six Hours: Surviving Typhoon Yolanda

In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.

Recital Jiří Suchý – Jiří Šlitr

The word recital was supposedly coined by the piano virtuoso Ferenc Liszt for a solo performance. In the introduction, lyricist Jiří Suchý emphasizes that although this program is dedicated to two artists, only one of them will perform, namely himself. He performs in songs that were set to music by his colleague Jiří Šlitr (1924–1969). The audience can thus once again be reminded of the enormous musical talent of this Czech composer, instrumentalist (an excellent pianist), singer, actor and artist, whose life ended prematurely at the age of just 45.

The Wrong Mr. Johnson

To raise cash to spring thuggish b.f. Vaclav from prison, timid 20-something Veronika agrees to cover for prostie pal Lucy but picks up the wrong guy good-natured jazz drummer Jim Johnson at the airport. As they struggle with language issues and growing attraction, the “other” Jim Johnson, an overbearing sex tourist, makes whoopee with groupie Sonya and call girl Apollonia. Couples and newly sprung Vaclav eventually square off in the jazz club.

Spring Like Lovers

Kazu becomes distrustful of his current partner Shin and goes to see his ex-boyfriend Takashi. But he finds out that Takashi has gotten married to a woman and feels that he is left with nowhere to go.

Hope or The Devil's Prey