Behind the Meat-Ball

LEWISTON

The movie arose out of our sparetime as teenagers with fresh driver’s licenses and cobbled-together camera gear, wandering around a tired and honestly pretty grim post-industrial mill community, reinforced with after-hours access to the darkroom at the Sun Journal (where Aaron’s dad was the visuals editor), and some half-formed education in the techniques of Robert Frank, Frederick Wiseman, Dogme 95, Italian neorealism, pre-Obama Shepard Fairey, plus whatever culture pushed its way through the creaky pipes of low-bandwidth dial-up internet, or was smuggled up the actual superhighway of I-95 from Boston and eventually New York, or mailed first class via United States Postal Service from a burgeoning Netflix in those classic matte red envelopes, as valuable and rare as cash sent from China. [...] Somehow we negotiated access to a Canon XL1 3-CCD MiniDV camera and shotgun mic from the local public access station, in exchange for taping the high school graduation we didn’t participate in.

13

The film is a continuous time-lapse with multiple exposures of the sunset from the same angle and position on 16mm film. The shoot was done in a span of 5 years. The title 13 is because the time-lapse has a 13-second interval per frame.

Siempre la duda

Don Juan Tenorio

Don Juan Tenorio makes a bet with a friend as to which of them will commit more outrages in a year. He wins, killing twirty-two men and seducing seventy-two women. In the end, however, he is saved from damnation through a return to true belief and the love of a saintly woman, Doña Inés.

The Day the Sun Rose

Shinkichi, a peasant employed as a cloth-dyer, has a dream: in the midst of the civil war which ravages Japan, he hopes to revive the long-banned custom of the Kyoto Gion Festival, and by doing so, bring together the warring clans and rampaging brigands in peaceful celebration.

Mad, Mad, Mad Swords

The star in Mad Mad Mad swords is a common man with numerous weaknesses and a complete worthless student of a prestigious school. To the suprise of all, however, he manages to defeat a string of renowned swordsmen, including the one-armed swordsman and the blind swordsman, by tricks and luck.

A Time to Kill, A Time to Die

In the countryside in Brazil, a group of boys hangs out around a gas station with its manager, Élcio. The men drink beer, do lots of macho stuff, play soccer. In the midst of this, there is an exchange of looks that demonstrates repressed desires, the need to sublimate oneself to be in tune with the rest of the world.

Cyberpunk

Stylistic documentary about the cyberpunk movement. William Gibson, author of cyberpunk classic Neuromancer, and Timothy Leary, famous advocate of psychedelic drugs, share their thoughts on the future of society and technology.

The Best Scent Of The World 2

Hakan who made arranged marriage with his best friend in order to have a child, found himself in an unexpected love and was devastated with the death of her, Derya, in childbirth. On the other side, Candan who is trying to deal with her painful but unique childhood. As Hakan and Candan are suppose to complete each other's life, it is not going to be that easy get used to each other.

The Voices of a Big Country

In every corner of our vast country there are talented people worthy of recognition and glory. They flock to the capital and take part in popular television shows. But the spotlights go out, and life goes on. And not as they saw it ... Each of the heroes - young and adults, ambitious and modest, lonely and in love - will have to go through many trials. They are waiting for ups and downs, meetings and partings, friendship and betrayal. But in the end they will become one big team, a family that unites different people from the most remote towns of our big country, in the name of music, talent and, of course, love!

Il divano

Polidor drags down the street a bulky sofa on which every couple sitting ends up kissing.

Ombres

Two Edges I Look Upon - Dance Film Eight

One looks up toward the sky, then down towards the water, but never straight ahead. Part eight of the short dance film anthology co-created by filmmaker Beau Han Bridge and Choreographer Jullianna Oke.